Tag Archives: live studio audience

That time I was in the The Daily Show audience

13 Jun

The last time (read: one and only time) I was in a live studio audience it was a rather disappointing experience. It was for a show I didn’t watch with guests I wasn’t familiar with and they never even showed the audience on TV. I needed to have another, better, experience with a show I actually watch. So when I decided to go to New York for a few days to meet up with Stephen, I immediately booked a ticket for The Daily Show. I’ve watched The Daily Show on a daily basis for years now, ever since it popped up on Sky on demand. I went from being someone who was completely apathetic about politics and news to someone who can’t get enough of it. Obviously, as a trained journalist I get my news from multiple sources, but the Daily Show does a good job of highlighting the headlines with humor (and a little left-leaning bias). I was excited to witness how the proverbial sausage was made.

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This sign is hanging above the door to the studio

Because I booked the ticket about 3 weeks in advance, the guaranteed tickets were sold out, which meant I got a non-guaranteed ticket. Which meant I had to queue. As an honorary Brit and day seat connoisseur, I am no stranger to standing in line outside of theaters. I just had to figure out the all-important question: what time to arrive? Because the only thing worse than showing up an hour earlier than needed is showing up 5 minutes too late. The ticket said I had to arrive by 5pm, but online comments suggested I get there by 4pm. I played it safe and arrived around 3:35pm. There was a decent amount of people ahead of me — perhaps around 30? — and by the time 5pm arrived, there were at least 50 people behind me. When it got close to 5pm, a producer came out and explained the process. Once they determined how many seats they had available and how many guaranteed ticket holders showed up, they’d start allowing us in. “In” being into the next queue, of course. Then we’d go through airport-like security before going into the studio. A little after 5pm they let a big group of people at the front of the line move forward, which of course meant they cut the line 3 people in front of me. I was going to be so mad if I came that close to going in! Fortunately as the guaranteed ticket holders made their way into the studio, they let a second group of unguaranteed in. A producer with an iPad came around and took our names to verify our reservations and handed us numbered tickets.

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“You needed to book a ticket online? I thought it was free!” The guy three people ahead of me said. The producer was as nice as she could have been about it, but she couldn’t let him in without a booking. He waited almost two hours for nothing! As much as it sucks, I’m glad they stick to their rules. A couple girls with guaranteed tickets showed up at 5:05pm, but since they missed the 5pm cut off, they were sent to the very back of the unguaranteed line. Around 5:15pm another producer came out and told us it was our last chance to use the restroom before going into the studio, as once we were seated, we couldn’t leave until filming was over. The guy behind me went nuts, complaining about how you can’t do that to people — not let them pee for two hours! — some people have medical conditions! But as far as I know, he survived. I went down to the bathroom in the basement before rejoining my place in the queue outside. Eventually I made it through security and was escorted into the theater. It’s a bit of a cliche, but it was indeed surreal walking across the set of The Daily Show to find my seat. I was lucky to be seated close to the center instead of on the very end of the row.

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Once all the seats were filled, they played a little safety video starring all of the correspondents, with cheeky tips like “if a joke is made about a black person, look to your nearest black person and only laugh if they’re laughing.” Everyone laughed at that. One thing The Daily Show did differently than The Jonathan Ross Show did in London was that they allowed us to take photos and use our phones up until the taping began. This made it much more enjoyable to kill time, plus everyone knows “pics or it didn’t happen,” so a selfie with the set in the background is necessary. Around 6pm, the warmup comedian came out to get everyone hyped up. Instead of making us do embarrassing dance moves like Johnathan Ross’s guy did, he mostly did crowd work, asking people where they were from and what they did for work and riffing on that. He was really funny and got everyone laughing, clapping and whooping. I expected there to be more instructions — indications to applaud, etc, but they basically just told us to “lose our sh*t.” A little after 6:30pm the main producer came out, which the comedian said was a sign the show was going to start soon.

“How much longer?” the comedian asked. I figured he would say “5 minutes.”

“30 seconds!” he said. Then suddenly the intro theme song started playing and all of us rose to our feet, clapping and cheering. Even though I had already waited 3 hours for this 30-min taping, it felt like it was all happening so soon. When Trevor came out the audience truly did “lose their sh*t.” He sat down, looked directly at the camera, then jumped right into the show. When the commercial break came, a bevy of I’m assuming writers and producers rushed the stage to talk to Trevor. When they left he finally acknowledged us, which, of course, made everyone “lose their sh*t.” I had read in reviews of the taping that Trevor likes to interact with the audience during the commercial breaks, but I have to admit, a lot of his interaction felt scripted. Like he was using the material written for him that got cut from the show. He continued to rip on how cheap EPA chief Scott Pruitt is, which was the main story of the first half of the show. When the show resumed, it was interesting to watch what Trevor did when the news clips or taped pieces were playing. A lot of times he laughed along, or just stared straight ahead into the camera, working on the correct facial expression to have when the camera turned back to him. The guest that night was actress Regina King. I was expecting the interview to go long like on The Johnathan Ross Show and they’d edit together the best bits, but what they filmed was what aired. I’m still glad I went to the taping, but the audience members don’t get to see anything extra that the audience at home misses out on. (Except maybe Trevor’s killer dance moves while he’s standing up waiting to introduce the moment of zen at the end!) When the taping ended, Trevor thanked us all once again, then rushed back to the green room. Row by row we were escorted out of the studio.

I finally had a good live studio audience experience! That night I watched the show with the sole purpose of looking for myself in the audience. After the interview with Regina King, if you paused in the right moment and squinted, you could almost see me!

Daily Show audience

Which is more than I can say about The Jonathan Ross Show. Since it involved so much waiting around, I probably wouldn’t go to a taping every time I’m in New York City, but I’m really glad I went this time!

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That Time I Was on National Television (and learned it was full of lies)

20 Nov

As promised, on Tuesday night my friend and I were members of the live studio audience for The Jonathan Ross Show. I can finally check off my one London bucket list item — maybe.

JRShowLet me back up a bit. Part of the reason I wanted to be in a studio audience was pure curiosity — I wanted to see how a show is made, what happens during the breaks, and how it differs from the final edits. And this experience really fulfilled that. But of course I had another reason — I wanted to be able to pause the TV program on an audience shot, find myself, and post a screenshot of it on Facebook to show that I was on TV. I’m just being honest here. And this is where I made my fatal error — I did not watch a single episode of The Jonathan Ross Show before I booked it. My favorite British chat programme is The Graham Norton Show. Stephen and I watch it almost every week. The guests are always great, Graham himself is a hoot, and there’s always plenty of audience reactions and shots. I assumed The Jonathan Ross Show, another late night chat show, would have a similar format. Nope. A few days ago I finally sat down and watched a couple episodes. Jonathan comes out, does a short monologue, then the first guest comes out. Jonathan and guest chat, the second guest comes out, and that guest talks to Jonathan and the first guest. Then both guests leave and the third guest comes out. She has a chat for a bit, and is accompanied by the fourth guest. And then a musical guest performs. Done. At no point — even in the opening or closing shots — is the audience ever shown. So I went into Tuesday’s taping excited, but also with realistic expectations. We were merely going to watch a TV taping, not be on it.

Nervous that we would not make the 6pm cut off time for priority ticket holders, my friend and I arrived at ITV studios at 5:30pm. There was already a massive queue snaked around the building. If we didn’t have priority we definitely wouldn’t have gotten in, and the taping didn’t even start until 7pm. We were escorted to the front of the building to the much shorter priority queue and were issued pink wristbands. At 6:15 they started letting people in. We were guided up a set of stairs lined with photos from shows that would probably mean more to me if I watched more ITV (sorry!), then through an open set of doors. And there it was — the set of the Jonathan Ross Show, just as I remembered it from all 2 episodes I watched.

jonathan ross set(I stole this photo from the internet, as we obviously weren’t allowed to take any photos inside.)

We were led into the second row, front and center. Perfect seats, right in front of the musical stage.

“We’ll practically be able to reach out and touch Boyzone!” I squealed to my friend.

Let me back up again here. Boyzone was the scheduled musical act. Do you know who they are? Your answer probably depends a lot on your nationality. To quote Wikipedia, “Boyzone are one of the most successful bands in Ireland and the United Kingdom.” But if you’re American, you likely don’t know who they are, unless you happen to be a rabid fan of Meat Loaf and Jim Steinman, and downloaded their song “No Matter What” several years ago because it was written by Steinman and covered by Meat Loaf and you wanted to hear their version. (Yes, I’m referring to myself there). I knew one of their songs and my friend hadn’t heard of them at all, but this past week we studied up. We jokingly exchanged old Boyzone photos, videos and lyrics through email and Facebook. We were pumped about seeing them perform — and so close!

I’m glad my first TV taping experience was with a friend instead of by myself for multiple reasons, but mainly because there’s a lot of down time before it begins and you aren’t allowed to have your phone on.

As it got closer to show time, a man came out and greeted everywhere. I know enough from listening to Adam Carolla’s podcast that this guy is the audience warm-up guy. He coaches us on when to clap and make noise.

“You came on a very special night,” he said. “We have some amazing guests!” My friend and I looked at each and almost in unison said “I bet he always says that.” Because that was my other gripe — the Jonathan Ross Show usually gets a lot of A-list celebrities. The 2 episodes I watched featured Lindsay Lohan, Russell Brand, and Gordon Ramsey, among others.

jonathan ross lindsay lohanTonight’s guests were Lee Evans, Sheila Hancock, Noel Gallagher, Jack Whitehall — no one I knew. This was our first hint that this warm-up guy may be a bit of a BSer.

“Tonight’s show is also special because it’s going to feature you, the audience!” he shouted. “You’ll notice that’s why you’re lit and we have stairs leading up to you. Some of our guests will be going into the audience to interact with you! So if you see a camera pointed at you, be sure to smile!”

My friend and I both smiled excitedly at each other. Maybe I couldn’t boil down the show’s format from watching only 2 episodes and my dream of actually being on TV was about to be realized!

“Now I need everyone to stand up!” Warm-up guy shouted. “We’re going to film a special part of the show with you right now, and then edit it in with the part we’ll be filming with the guests later.”

He began teaching us various dance moves, from swaying back and forth, hands in the air, to forward and backward speed bagging. I was glad we had mulled wine at afternoon tea before the show, as dancing in public is not my thing. But this was for TV!

Suddenly Elvis’ “Viva Las Vegas” starred blaring and the “dance” began. We swayed and shimmied, laughing at how ridiculous it was. I tried to position myself so I wasn’t directly behind the girl in front of me — you know, for the cameras. But I didn’t see any cameras. We were being taught new dance moves as we went along now, and they got more and more perverse — pelvic thrusting and spanking the person next to you (reason No. 2 I’m glad I was not at the show alone!). That’s when it hit me and I whispered to my friend “This is all just audience warm-up. We’re not even being filmed!” Which of the guests would have us “dancing” to Elvis, anyway?!

When the song ended, the warm-up guy jokingly told us ladies to fix our hair and “push ’em up” because it was almost time to be on TV. Suddenly a bunch of guys in hoodies and headphones came out and moved several cameras into place (blocking my view of Jonathan’s chair), and started shouting out show biz-y things like “30 seconds!” Then the intro song played and Jonathan came out as we all jumped to our feet and screamed and clapped, even though no one was going to see us.

I watched a lot of the show on the big television screens and on the little screen of the camera blocking my view. It was interesting to watch the red lights on each camera light up so Jonathan and the guests knew which one to look into. The first guest, comedian Lee Evans, was a hilarious bundle of energy, except when he started talking about his recently deceased manager. He and Jonathan seemed to talk forever, and I wondered how they’d ever have time for the other three guests and Boyzone. That’s when I learned another bit of TV magic — they shoot way more than they’ll ever use. At one point Jonathan gave Sheila Hancock an iPod as a gift and she didn’t want it, so he mentioned they’ll probably just cut that whole bit out. There aren’t many commercial breaks in the UK, so they only broke briefly after each guest.

After the first break Jonathan mentioned something about Boyzone not coming. They showed several live shots of the green room and only one of the band members was there, sitting next to cardboard cutouts of his bandmates. On air Jonathan said they were stuck in traffic, so my friend and I were holding out hope that they’d arrive soon. I’ve actually seen this happen several times on the Graham Norton Show and the guest always turns up eventually. But with each green room shot as the night wore on, it was only one guy.

At the second break warm-up guy came back out and said we were incredibly lucky — we were going to be filmed not just for this show, but for a bit on next week’s show too! So after the show we’d have to stay to tape that segment. He also said it was time to give away a goodie bag. He held it up, mentioned something about a “blonde over there,” then a hoodie-headphone guy said “10 seconds” and warm-up guy and his goodie bag disappeared.

After all the guests had finished, Jonathan told us to give it up for Boyzone, and we went wild, cheering and clapping for — a recording. The musical performance was prerecorded. So we sat there and watched Boyzone sing their new song on the TVs above us. Then all the guests came out again and they recorded promos and publicity photos. And then it was done. Two hours of nearly straight filming for a one-hour show.

No guest ever interacted with the audience. No camera was ever pointed at any of us. And there was certainly no mention of Viva Las Vegas. But surely warm-up guy didn’t lie about EVERYTHING — he said we’d be on TV two weeks in a row wearing the same clothes! So after headphone guys started taking the guest couch away, I looked around for warm-up guy, wondering what post-show shenanigans he had in store. But he was gone. Everyone stood up and started to file out like at the end of a movie or play.

“It was all a lie!” I shouted to my friend. “We were never going to be on TV!” The girl next to us said she went to a taping of a different show and they did the same Elvis warm-up dance.

I can almost see the purpose of that — it gets everybody loosened up and laughing, and what’s one tiny fib about it being necessary for the taping? But why all the other lies? Why tell us the audience is being lit, the guests will be using the stairs, we will be winning goodie bags?! Would we be less willing to scream and clap if we knew we weren’t being filmed? Presumably most people in the audience have seen the show more than me, they have to know the typical format!

Don’t get me wrong, my friend and I had a great time, and she kept gushing about how fun it was afterward. But we both agreed we felt a little useless as an audience — like a glorified laugh track. While some shows feel like the host is talking to the live audience and you at home are just lucky to be watching, this definitely felt like it was made for TV viewers and we were just lucky to be observing the process. Jonathan always looked directly into the camera, like the viewers at home were the ones he was hoping to get a laugh from, not us. I realize again that this is my fault — the show has a certain format to it and it’s not the show’s fault it doesn’t meet my expectations of audience participation — Jonathan Ross is not Graham Norton. I just wish the warm-up guy hadn’t pretended that he was.

And what was up with Boyzone?! Was it a fluke thing, or are musical guests often prerecorded? Is it all a lie?!!

So that was my first experience in a TV audience. A fun night out, but I’m not sure I’m ready to completely check off my bucket list box… perhaps I’ll make a new addition to the list: be in Graham Norton’s studio audience.